Emily Adele Williams is a cellist whose work brings together classical technique and contemporary experimental approaches.
She performs in a wide range of settings, from resonant caves and remote landscapes to traditional concert spaces, exploring how environment shapes sound and experience. Her projects include Night Diver, an audio-visual series combining processed cello and visual elements; Au Revoir Hands, an ambient pop collaboration with composer-producer Anth Lyons; and Sonder Lines, a cello duo with Rachel Morris.
Emily’s practice focuses on creating music as an immersive experience, where acoustic and electronic textures interact with space and audience in dynamic ways.


About

Emily Adele Williams is a cellist and improviser whose work bridges classical tradition and contemporary experimentation. Her practice explores how sound and space interact, often taking music beyond conventional settings into environments where acoustic qualities become part of the performance.

Emily has performed in a wide range of locations, from resonant cave systems and remote landscapes to contemporary concert spaces, creating experiences that challenge the boundaries of live performance.

Driven by a belief that music should be more than an auditory experience, her work seeks to create environments where sound and emotion intersect, inviting audiences to listen deeply and engage fully.

Her creative work takes shape through the following projects:

Night Diver: a solo audio-visual project that combines processed cello, layered soundscapes, and immersive projected visuals to create meditative, atmospheric experiences.

Au Revoir Hands: an experimental ambient pop collaboration with composer-producer Anth Lyons, blending cello with Buchla modular synthesis to craft cinematic, texturally rich sound worlds.

Sonder Lines: a cello duo with Rachel Morris exploring dialogue, improvisation, and responsive performance, emphasising the interplay between two voices and their environment.

Emily’s approach combines acoustic and electronic textures with a sensitivity to space, drawing on both classical foundations and experimental techniques to create music that is immersive, exploratory, and deeply connected to its environment.

Driven by a belief that music should be more than an auditory experience, Emily’s work seeks to create environments where sound and emotion intersect, inviting audiences to immerse themselves in the sound environment and encounter music beyond conventional expectations.

Music Projects

  • Au Revoir Hands

    An experimental ambient-pop duo with composer-producer Anth Lyons, merges cello with the Buchla Music Easel synthesiser, beats, and samples. Their sound richly textured with clicks, fragmented beats, analog synth lines, and processed cello dwells at the intersection of neo-classical electronic music and avant-pop. Their album Hemispheres explores themes of navigation, voyaging, and sonic exploration across geographic and emotional distances.

  • Night Diver

    Emily’s solo audio-visual project Night Diver centres on the cello yet expanded with shimmering layers of effected strings, sampled glass, steel, piano, and voice.

    Accompanied by projected visuals of bioluminescence, deep-sea creatures, and otherworldly imagery, these performances evoke longing, stillness, and emotional immersion.

  • Sonder Lines

    SonderLines is the cello duo Emily shares with fellow cellist Rachel Morris, blending intentional improvisation with spontaneous melodic interplay.

    Their performances often drawn from natural textures, birds, wind, nature’s ambience and visual artistry to create immersive, site-responsive music that invites deep listening.

Performances

Emily Adele Williams has performed at a diverse range of venues and festivals includi:

Major Art and Cultural Institutions:

The Centre Pompidou, Paris

National Gallery of Victoria, Melbourne

Melbourne Recital Centre

Australian Centre for the Moving Image, Federation Square, Melbourne

Guggenheim Exhibition at NGV, Melbourne

Festivals and Public Events:

Port Fairy Folk Festival

Melbourne International Film Festival

The Silent Film Festival, London (Bioscope Canary Wharf Rooftop Garden)

Electundra AV Festival

Blue Mountains Music Festival

Unique and Unconventional Spaces:

Cockatoo Island, Sydney

Mount Aenos, Astro Observatory, Kefalonia, Greece

Sarris Winery, Kefalonia, Greece

Henri IV Chateau, Squires Loft, Nerac, France

Caves in the South of France

Drogarati Cave, Kefalonia, Greece

Press & Reviews

“Cellist Emily Williams, an innovative and genre-defying solo instrumentalist in her own right” Beat Magazine

“her compositions reveal a passion and a deep understanding of classical music rules and most importantly a willingness to subvert them to create lush and breathtaking musical landscapes”
Pearl Latnern

“Williams is not adverse to a little inter-genre musical relations. Moreover, her compositions reveal a passion and a deep understanding of classical music rules and most importantly a willingness to subvert them to create lush and breathtaking musical landscapes”
 It’s classical but not as we know it The Age

Art After Dark Series - Guggenheim Exhibition
“Rebuilding themselves for this series, with two computers, a modular synthesizer, sampler and an array of effects, ii are performing in collaboration with cellist Emily Williams, together they composed an hour-long suite of new music for the Guggenheim exhibition” Geek Girl Blog

“Cellist Emily Williams, an innovative and genre-defying solo instrumentalist in her own right, was a perfect fit for support of American wunderkind Kaki King (USA)” Beat Magazine, Jesse Shrock

“The National Gallery of Victoria has worked with DJ Maison and cellist Emily Williams to curate a program that NGV senior program co-ordinator Ben Divall says has an “intelligent approach to DJing and music” 
Getting down with the kids The Age